The Steal Read online




  Table of Contents

  Title Page

  Copyright Page

  Dedication

  Epigraph

  Introduction

  PART ONE - SHOPLIFTING IN HISTORY

  1. THEFT AND PUNISHMENT

  2. KLEPTOS AND REFORMERS

  3. ABBIE HOFFMAN MEETS THE CHINESE HANDCUFFS

  4. ROBIN HOODS 2.0

  PART TWO - DIMENSIONS

  5. AMONG SHOPLIFTERS

  6. HOT PRODUCTS

  7. BOOSTERS

  PART THREE - PATHOLOGY

  8. THE THRILL OF THE STEAL

  9. THE RISE AND FALL OF THE SHOPLIFTING CELEBRITY

  10. THE SHOPLIFTING ADDICT

  PART FOUR - REMEDIES

  11. TO CATCH A THIEF

  12. THE FUTURE OF LP

  13. THE DISEASE IS INCURABLE

  14. SHAME

  CONCLUSION

  Acknowledgements

  NOTES

  SELECTED BIBLIOGRAPHY

  INDEX

  ABOUT THE AUTHOR

  ALSO BY RACHEL SHTEIR

  Gypsy: The Art of the Tease

  Striptease: The Untold History of the Girlie Show

  THE PENGUIN PRESS

  Published by the Penguin Group

  Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

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  First published in 2011 by The Penguin Press, a member of Penguin Group (USA) Inc.

  Copyright © Rachel Shteir, 2011

  All rights reserved

  Grateful acknowledgment is made for permission to reprint excerpts from the following copyrighted works:

  The Adventures of Augie March by Saul Bellow. Copyright Saul Bellow, 1949, 1951, 1952, 1953. Copyright renewed Saul Bellow, 1977, 1979, 1980, 1981. Used by permission of Viking Penguin, a member of Penguin Group (USA) Inc. and The Wylie Agency LLC.

  On the Road by Jack Kerouac. Copyright © Jack Kerouac, 1955, 1957. Copyright renewed Stella Kerouac, 1983. Copyright renewed Stella Kerouac and Jan Kerouac, 1985. Used by permission of Viking Penguin, a member of Penguin Group (USA) Inc.

  American Pastoral by Philip Roth. Copyright © 1997 by Philip Roth. Used by permission of Houghton Miflin Harcourt Publishing Company and The Wylie Agency LLC. All rights reserved.

  Shteir, Rachel, 1964–

  The steal : a cultural history of shoplifting / Rachel Shteir

  p. cm.

  Includes bibliographical references.

  ISBN : 978-1-101-51628-7

  1. Shoplifting—History. I. Title.

  HV6648.S

  364.16’23209—dc22

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  For MK, and for RR

  They were not thieves by heredity; they were made. And the manufacture goes on every day. The street and the jail are the factories.

  —Jacob Riis, The Making of an American

  In fiction the recourse of the powerless is murder. In real life it is petty theft.

  —Earl Shorris

  Dere’s little stealin’ like you does, and dere’s big stea- lin’ like I does. For de little stealin’, dey gits you in jail soon or late. For de big stealin’ dey makes you Emperor and puts you in de Hall o’ Fame when you croaks.

  —Eugene O’Neill, The Emperor Jones

  INTRODUCTION

  It is 4:19 p.m. on December 12, 2001. In the socks and hose area on the first floor of this posh department store, a slight, dark-haired woman wearing a beige three-quarter coat with a tab collar, a black skirt, and boots is struggling under the weight of her shopping bags. Her hair is swept back in a loose ponytail. She has sharp features, and in the creases of her deep-set eyes, you can make out shadows that look like her eyelashes. She is carrying many bags. There is a bulky, dark garment bag, either navy blue or black, which looks like it is stuffed with clothing, and a red, rectangular shopping bag. The woman is also carrying a tote bag and two purses, a white one and a turquoise one. Her thin face might register trouble—fear or guilt or sadness—it is difficult to tell because the surveillance video does not have good resolution.

  The backdrop is more clearly visible: She is walking among mirrored pillars and display cases, crystal chandeliers, and caramel-colored wood paneling. All around are socks and stockings made of silk, cashmere, and fine wool. This is not the kind of store that caters to basic needs.

  Indeed, in 1938, the architect designed this store to resemble a movie star’s home. The first black-and-white photos show sinuously curved walls, elegant Regency furniture, and subdued lighting. There is a sense of spaciousness in these photos. This store was also one of the first ones in the United States to be divided into individual boutiques so that customers would feel as though they had just stumbled out of bed, surrounded by even more fabulous clothes than the ones hanging in their closets. Each boutique conjured a specific destination: Swimwear looked like a tropical resort.

  Perhaps it is the harsh color or the low-quality image of the surveillance video, or the metal fixtures or the number of products piled on the shelves, but the store today is cold and uninviting, crowded, devoid of its original elegance. Three handbags the size of small dogs crouch on a wooden end table. The woman is between the hat boutique and the hose boutique of the accessories department when the amount of stuff she is carrying overpowers her. She drops something and squats on the floor to pick it up. She begins messing about in the garment bag and the shopping bag. After a few minutes of shuffling (there is a digital clock in the upper-right-hand corner of the screen and you can see time passing), she crams one or two pairs of socks and some hair bands into the crown of a hat, which she plops on top of the clothing and bags. She hoists herself off the floor and wanders back to the hat section. From a wooden shelf, she takes a floppy black hat and sets it on her head. The tag hangs in front of her ear. She takes off that hat and tries one whose brim hides more of her face.

  The woman moves past the cosmetics counters to the up escalator. On the second floor, the hat, the socks, and the headbands are no longer visible. A little while later, a camera picks her up again on the third floor at the Gucci boutique. She is still wearing the second hat, but you cannot see its price tag. She peels a white, strappy dress and some other items from their hangers and piles them on top of her bags. She visits Marc Jacobs, Yves Saint Laurent, Jil Sander, and Chanel and chooses clothing from
these boutiques. It is 5:19. She brushes up against a rack of Chanel coats. A camera lingers on her back as she sets foot on the down escalator. Two naked alabaster mannequins recede behind her as she adjusts the garment bag over her shoulder.

  The woman is now heading toward the exit. A camera zooms in. She cuts through the shoe department. She glides to the plate-glass doors. Another camera zooms in, this time on her back. Another picks her up from the front and another from her side. She passes a cash register. Her reflection looms in the glass doors as she walks toward them, and just before she pushes past the shoes, she tosses the garment bag once more over her shoulder. She is outside.

  Like windup toys set in motion by the department-store Oz, two security guards—a stocky man and a woman in a long, dark skirt—walk stiffly after the woman into the parking lot. You can just make out a confrontation in the shadows. A third guard joins the group. The woman tilts her head, listening. She doesn’t resist. It is not as if anyone is a criminal here. When she comes back inside the store, she is flanked by two of the guards. The trio walks back down the marble aisle. The guards have divvied up her bags. There is no tension among them. They appear to be exchanging pleasantries as they stroll to the down escalator. They vanish, their destination the holding room in the basement, where the woman will be interviewed, and where she will be turned over to the police. The screen goes fuzzy. It’s 5:37 p.m. in Saks Fifth Avenue, Beverly Hills. Winona Ryder is about to join that notorious category—the celebrity shoplifter.

  I watched the videos tracking Ryder in a conference room behind the Beverly Hills courthouse in the summer of 2007. But I first became fascinated by the movie star four years earlier, after I read excerpts from the Court TV transcripts of her trial and studied the few clips of surveillance camera footage posted on the Internet. Along with millions of Americans, I wondered why a Hollywood star would shoplift.

  At first I resisted writing about the subject but soon came to realize that there was more to my fascination than prurience or schadenfreude. I am inveterately curious about the boundaries cultures establish: the lines we draw between civilization and barbarism, madness and sanity, the appropriate and the inappropriate. We live by these boundaries. And yet the line we draw for shoplifting is murky: Is it a serious crime worthy of criminal prosecution, or what André Gide would call an acte gratuit—an impulsive, unpredictable act, childish, but deserving of forgiveness? Is it a disease or a symbol of greed? How has our response to shoplifting changed over time? Who are the outliers and who are the scapegoats? What does it mean that more and more white-collar shoplifters are caught committing the crime? How is shoplifting connected to the economy and to consumption? Do shoplifters grow up to rob banks and embezzle multinationals?

  I wrote this book because, unlike gambling, which has a history, a medicine, and a literature, shoplifting remains unwritten. I met shoplifters by placing ads on Craigslist and by joining listservs for those suffering from obsessive-compulsive disorder. Some shoplifters I literally met at dinner parties or while interviewing people at Starbucks. Psychiatrists and mental health counselors asked their patients if they would talk to me. A handful of probation and police officers, security personnel, and not-for-profit groups serving shoplifters helped, as did a few scholars.

  Of the shoplifters in this book, a surprising number of them agreed to talk freely, although many did not want to use their names. But not everyone. “This ends here,” a lawyer screamed several times before she hung up on me, even though the story of how she resold the household appliances she shoplifted from a big-box store had gone viral and she had been disbarred. At first when this sort of thing happened—and it happened a lot—I felt ashamed, as though I had stumbled onto an episode of Candid Camera. A challenge of this book was to explain, in an era of diminishing privacy, the superheated responses to the crime. Another was to write about shoplifting without collapsing the subject into a “he did it” tabloid headline.

  I also looked to the history of the crime, beginning in sixteenth-century London, as urbanization and consumerism made the city into Europe’s busiest mercantile capital. In this era, anyone who shoplifted an item worth more than five shillings could be hanged. Shoplifting reappeared in a new guise after the Industrial Revolution in Paris—a cynosure of the alluring retail palace. Treating the style-crazed lifters who frequented the city’s new department stores, psychiatrists made the first diagnoses of kleptomania. Although shoplifting emerged in America as early as colonial times, the crime became a symbol here in the 1970s, when the yippies politicized shoplifting into “liberating” and Abbie Hoffman wrote Steal This Book, turning the crime into an antiestablishment act. In response, modern antishoplifting technologies were developed, as were modern methods of studying shoplifters. The number of shoplifters skyrocketed. Instances of racial profiling of shoplifters began to be recorded.

  Today we see all three interpretations of shoplifting—crime, disease, protest. Increased prison sentences, shame punishments, and over-thetop surveillance techniques have all been employed to curb the crime. Alcoholics Anonymous–inspired shoplifting rehabilitation programs have cropped up all over the country. A new, more ironic international generation of political shoplifters has come into view. More savvy professional shoplifters steal greater quantities and use violence more frequently.

  One of this book’s projects is to bust myths and preconceived ideas about who is shoplifting now and why it is done. Another is to overturn common wisdom about what is being shoplifted, surveying so-called hot products—the everyday household items and luxury goods most frequently stolen. Besides tracing the various narratives the crime has produced, this book also examines the complex and often contradictory things shoplifting stands for.

  Shoplifting today is understudied, but the best analyses show that the crime is everywhere. According to the 2008 Department of Justice annual survey, the Uniform Crime Reports (UCR), over a million shoplifting offenses were committed. As one expert noted, the dollar amount lost to shoplifting is almost more than “the losses suffered by all individual victims of property crimes combined.” (In 2008, around 800,000 people were arrested for charges involving marijuana.)

  But even the UCR cannot present a full picture of the extent of shoplifting. Critics say that the survey undercounts shoplifting more than other crimes because it is so easy to miss: Video cameras do not always catch the shoplifter. Stores do not always keep good records. Because contributing data to the UCR is voluntary, because many police departments lump all theft crimes together or focus on thefts of large amounts of money or violent robberies, the UCR documents only a partial account of shoplifting. Many states don’t have a specific crime called shoplifting on the books. Some stores use euphemisms, calling shoplifting “external theft,” to contrast it with “internal theft” (employees stealing), or “customer theft”; others just lump all stealing together.

  Despite its shortcomings, the UCR offers one of the more complete pictures of shoplifting. It tells us not only which periods in history have seen shoplifting spikes—more than 150 percent between 1960 and 1970—but that shoplifting sometimes ebbs and flows independent of trends in crime overall. Between 2000 and 2004, even as other property crime including pickpocketing and bicycle theft dropped, shoplifting grew 11.7 percent. The number of people shoplifting also climbed slightly between 2004 and 2008. Year after year, the shoplifting rates of many American cities show substantial upticks: In 2008, shoplifting rose 13.2 percent in Cape Coral, Florida; 18.7 percent in Long Beach, California; 40.6 percent in L.A.; 9.9 percent in San Francisco; and 27.3 percent in Las Vegas. In 2009, shoplifting rose almost 8 percent.

  According to the National Association for Shoplifting Prevention (NASP), the number of American shoplifters is 27 million, or 9 percent of the total population. But a massive study of 40,093 Americans—the 2001 National Epidemiologic Survey on Alcohol and Related Conditions (NESARC)—found that 10 percent had a “lifetime prevalence” for it and 11 percent had shoplifted. Ten
percent is higher than the percentage of American teenagers who have tried cocaine or used methamphetamines. Ten percent is often cited as the number of Americans estimated to be suffering from depression.

  And shoplifting may be even more common. A NASP report estimated that store security catches a person shoplifting one in forty-eight times and informs the police of the incident one in fifty times.

  If one obstacle to seeing shoplifting as an epidemic is the dearth of good numbers about the subject, another is the media, which trivialize the crime. News stories about shoplifting usually blame its rise on simple economic downturns and its fall on increased security measures. A 2008 USA Today story, “More Consumers, Workers Shoplift as the Economy Slows,” like many such stories, relied heavily on the retail industry’s assertions: “Retail experts agree that they’ve seen an increase in shoplifting.” The story quotes a National Retail Council study saying that 74 percent of retailers “believed” shoplifting was rising. Retailers “felt” that the economy was forcing people to steal.

  What’s new about shoplifting today is that it has become a cultural phenomenon—a silent epidemic, driven by pretty much everything, in our era. Some scholars connect it to traditional families’ disintegration, the American love of shopping, the downshifting of the middle class, global capitalism, immigration, the replacement of independent stores with big chains, and the lessening of faith’s hold on conduct. Shoplifting gets tangled up in American cycles of spending and saving, and boom and bust, and enacts the tension between the rage to consume conspicuously and the intention to live thriftily. The most recent suspects include the Great Recession, the increasing economic divide between rich and poor, and an ineffectual response to the shamelessness of white-collar fraudsters: the shoplifter as the poor man’s Bernard Madoff.